"अली अक़बर ख़ाँ": अवतरणों में अंतर
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पंक्ति 25:
He is a past master at outlining a melody with great economy of stroke, which has stood him in good stead in his short 78 rpm records in the middle of the last century. His long concert performances progress from the meditative (alap, jod) to the exhilarating (gat, jhala) in a highly structured build-up in the Senia beenkar style. He is also possibly the best living exponent of "sawal-jawab", a dialogue between two instruments (usually one melodic and one percussion). Of late, ill health has reduced the frequency of his concerts and affected his physical dexterity on his instrument, but his musical depth is still very much extant.
खाँ साहब ने कई शास्त्रीय[[जुगलबंदी|जुगलबंदियों]] में भाग लिया। उसमें सबसे प्रसिद्ध जुगलबंदी उनके समकालीन विद्यार्थी एवं
खाँ साहब को [[1988]] में भारत के सर्वोच्च पुरस्कारों में से एक [[पद्म विभूषण]] से सम्मानित किया गया। उनको इसके अलावा भी कई पुरस्कारों से सम्मानित किया गया है। [[1997]] में [[संयुक्त राज्य अमेरिका]] का कला के क्षेत्र में सबसे ऊँचा सम्मान
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Khan has been awarded the Padma Vibhushan, one of the highest civilian awards in India, as well as a plethora of other awards and honours. In 1997, Khan received the National Endowment for the Arts' prestigious National Heritage Fellowship, the United States' highest honour in the traditional arts. This followed a MacArthur Genius Grant in 1991. Khan has also received several Grammy nominations. However, he values the title of "Swar Samrat" (Emperor of Melody) given him by his father above all other honours.
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