"अली अक़बर ख़ाँ": अवतरणों में अंतर

 

He is a past master at outlining a melody with great economy of stroke, which has stood him in good stead in his short 78 rpm records in the middle of the last century.

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His long concert performances progress from the meditative (alap, jod) to the exhilarating (gat, jhala) in a highly structured build-up in the Senia beenkar style. He is also possibly the best living exponent of "sawal-jawab", a dialogue between two instruments (usually one melodic and one percussion). Of late, ill health has reduced the frequency of his concerts and affected his physical dexterity on his instrument, but his musical depth is still very much extant.